How do heritage approvals actually get to yes in Melbourne?

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Answering: How do heritage approvals actually get to yes in Melbourne?

Estimated reading time: 7 min read

They get to yes when the scheme protects the significance of the place and still lets a family live in it, and when that is visible in the drawings, not only in a covering letter. In a Heritage Overlay the test is Clause 43.01: will the demolition, alteration or new work adversely affect significance. The applications that historically succeed keep the fabric that earned the overlay, put new work where the street will forgive it, and answer overlooking, bulk and neighbour questions inside the design. BY Projects Architecture has a practice record of 59-plus heritage approvals with a 98 per cent historical success rate. That is a record of past decisions. It is not a guarantee of yours, not a promised timeline, and not a VCAT forecast.

You have been told two opposite stories. One: the overlay means you cannot touch anything. Two: if you hire the right person, council will roll over. Both stories are wrong, and both are expensive.

The overlay is a planning control with a test. You can fail it with a good-looking house that harms the place. You can pass it with a house more ambitious than the one you first imagined, because the constraint forced a better idea. Constraints reveal the design. They do not, on their own, produce a permit. This is the path as walked across 10-plus Victorian councils and more than 200 permit applications as a practice. Treat every “yes” here as history.

Key Insights

  • A Heritage Overlay (Clause 43.01) generally needs a planning permit to demolish, externally alter, build or carry out works. Internal alterations need a permit only where the overlay schedule says so; most properties do not carry that control.
  • The decision guideline that matters is significance. Design to the statement of significance and the schedule, not to a mood about “old houses.”
  • Integrated design (heritage, structure, neighbours, bulk) in one application is what the process rewards. Sequential afterthoughts are how applications stall.
  • 59-plus approvals and 98 per cent historical success is BY Projects’ record. It is not your outcome.
Stronger alignment with the heritage test Common approval risk
Read the statement of significance and the overlay schedule before sketching Draw the dream, then ask a consultant to “heritage it”
Keep principal elevations, roof form and significant fabric; add behind or within Demolish first and promise a replacement later
New work clearly new, recessive, and honest about being of its time Fake-old additions, or a new volume that overwhelms the original
Neighbour amenity (bulk, overlooking, walls on boundaries) resolved in the design Heritage essay with an amenity problem left for objectors to find
One coordinated application Heritage now, structure later, landscape never

Keep reading for full details below.

Table of Contents

What the overlay is actually testing

A Heritage Overlay is part of the local planning scheme, under the Planning and Environment Act 1987. Planning Victoria: locally significant places are listed in the overlay; councils issue the planning permits; a Victorian Heritage Register place needs a Heritage Victoria permit under the Heritage Act 2017. Confusing those two systems loses months. We are architects, not the council and not Heritage Victoria.

Yarra’s public heritage-overlay page is a usable inner-Melbourne example of Clause 43.01 triggers: a permit is normally required to subdivide, demolish (including part of a building), construct, externally alter, carry out works, display a sign, or paint an unpainted surface. Internal alteration controls apply only where the schedule says so. Most properties do not carry that control. Your schedule is the one that matters.

The decision guideline that matters is whether the work will adversely affect significance. Significance is supposed to sit in a statement of significance, against criteria in the Victorian Local Heritage Guidelines (which replace Planning Practice Note 01). If the statement is thin, name that in feasibility. Do not invent a story.

Gradings (individually significant, contributory, not contributory) change how hard the fabric fight is, not the fact of the overlay. A building permit remains a separate construction approval. Mixing it with “the architect will get the permit” is how owners get lost.

The sequence that gives an application its best shot

A working order. Not a certified method, and not faster than the Act.

1. Read the place before drawing a wish. Overlay map, schedule, statement of significance, the actual fabric. A 45-minute Feasibility Session is built for this: Barbara sketches while you talk.

2. Put the new life where the significance is not. Rear, behind the principal roof, internal where the schedule allows, a second storey that is a shadow rather than a new façade. Streetscape sensitive; garden the opportunity. This placement aligns with the heritage test. It is not a promise about your council.

3. Make the new work of its time. Mimicry asks the overlay to believe a lie. Honest contemporary work, set back, clearly not the original, sits more comfortably with the test. An architect who speaks council fluently is speaking this language, not charming a counter.

4. Put amenity in the same drawing. Overlooking, bulk, walls on boundaries, trees. (Amendment VC267 restructured old ResCode numbers; we will not quote superseded figures.) A heritage-only package with a neighbour problem stalls.

5. Lodge one coordinated application. Sequential asks (heritage now, something the first drawings hid later) are how trust dies.

6. Listen to the first objection as information. Some of it is wrong. Some of it is the thing you should have drawn.

Statutory days exist. A 60-day clock that pauses. Heritage applications can run longer, and no reliable suburb average applies to an individual site. See our detailed heritage approval timeline guide.

Where applications commonly fail, and what we do not do about VCAT

Where applications fail, it is usually for boring reasons: demolition of significant fabric without an approved replacement; openings punched through a principal elevation; an addition bigger than the house; a statement of significance nobody read; amenity left for objectors; a Register place treated as a local overlay.

VCAT appeals are legal territory; obtain legal advice before deciding whether to amend, stop or seek review. A 98 per cent historical record is never a reason to treat the Tribunal as the default next step.

A heritage consultant is sometimes the right extra person. They are not a substitute for a design that already answers the test. We coordinate; we do not impersonate.

How to read our 59-plus / 98 per cent figure

BY Projects Architecture’s client-attested practice record is 59-plus heritage approvals with a 98 per cent historical success rate. It sits alongside 35-plus years in practice, 400-plus projects across Victoria, 200-plus permit applications, and work across 10-plus Victorian councils.

Read it as history.

  • It is a practice figure, not a personal scorecard of Barbara’s alone.
  • It is past applications, with past drawings, at past councils, under past schemes.
  • It is not a probability for your address.
  • It is not a timeline.
  • It is not a promise that an overlay will “be fine.”
  • It is not a ranking against other firms.

We will not write a guaranteed outcome, because no one controls a council’s decision but the council.

The useful thing the record actually supports is narrower: this practice has spent a long time designing inside Clause 43.01 rather than treating it as a surprise. That is a reason to have the feasibility conversation. It is not a reason to skip it.

Closing

Heritage approvals get to yes, when they do, because the design already protected significance and still made a house. Keep the fabric that matters, put new work where the place can take it, integrate amenity, lodge one scheme. Treat every past yes, including ours, as a record. For the process we use before a line is committed, see our process and heritage overlays and renovations.

Frequently Asked Questions

Q: If we hire BY, will we get heritage approval?

A: No one can honestly answer that before the place, the brief and the council have been seen. The practice has a historical record of 59-plus heritage approvals and 98 per cent success. That record is not a guarantee of your outcome, your timeline, or a VCAT result.

Q: Do internal renovations in a Heritage Overlay need a planning permit?

A: Often no, unless the overlay schedule applies internal controls, which most properties do not. External work, demolition and new building generally do. If the place is on the Victorian Heritage Register, Heritage Victoria’s permit is a different and broader control, including much internal work. Check the schedule; do not guess.

Q: How long does a heritage planning permit take?

A: The statutory clock is 60 days, with pauses for further information, notice and referrals, and real applications often take longer. Our article on heritage approval timelines in the inner east covers the detail. We will not invent an average for your suburb, and we will not promise a date.

Q: What is the single most useful thing to do before drawing?

A: Read the statement of significance and the overlay schedule, then have a Feasibility Session on what the place will actually accept. Book that at schedule a feasibility session.

Want to Learn More?

An architect who speaks council fluently is still not the council. BY Projects Architecture, led by Barbara Yerondais FRAIA with 35-plus years in practice, treats the overlay as the brief. Heritage is a deep strength of this practice and a proof source. It is not the only work we do, and a past yes is not yours until it is written on a permit.

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About the Author

Barbara Yerondais, FRAIA, is the founder of BY Projects Architecture. With 35+ years of experience, she specializes in sustainable, community-focused design and heritage restoration. A dedicated mentor and rower, Barbara balances her high-impact Melbourne practice with a passion for social inclusion and passive, energy-saving design.

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